Missing in Action

The summer is flying by and our show (in March) feels like it is zooming towards me in fast forward. I've finally gotten all the various parts completed and assembled on some pieces that have been hanging around the studio for a while. The "pieces" of these pieces are becoming more and more complex, I think of them as various voices having conversations.

Areas of the pieces are becoming highly decorative (I read several books by Carol Goodman this summer and in one she writes about the work of William Morris) so I started integrating this type of printed pattern in the stitchery sections. Here is one in progress.

The overall piece has six panels. Here is how they are configured (at this point), that could change.

And finally, I completed this very RED piece and I am quite happy with it.

from the mouths of babes...

The past two weeks have been spent volunteering at local art camps in central Florida. As I have noticed in the past, I am learning more from these young students that I often can from an adult instructor. Their innocence and fresh impressions impact how I create my own art.

This past week, I displayed a newer painting of mine, Channeling Joan, which measures 54X42 on canvas, to an art camp student, who also happens to be multi-lingual and reads and writes Russian. As usual, I started with language and writing: in this instance, I wrote out an old Ukrainian church hymn, which focuses on doubt and faith, in inks and started painting into it, using my fingers and brushes, thinking of Joan Mitchell's work.

The student could read portions of the Cyrillic letters that were left exposed in this piece, but the astute camper's impression of the piece focused on the entire composition. "I see the face, it looks confused but happy." Perhaps it is time to retitle it Pondering Joan?

unpacking my thoughts

A few days before leaving for USC-Lancaster, I pulled out an unresolved older painting in storage. The gallery-wrapped canvas was narrow (48X24) and originally painted with a vertical orientation. A detail of the 2006 painting appears on the left.

When things don't work out, we paint into them. In this instance, I changed the orientation and my source, focusing on the theme of this exhibition. Playing with my materials, That's the Story of My Life emerged (depicted on the right), a few hours before leaving for South Carolina. I'm still tinkering with minor things in the latest painting. Like our lives, it too may morph into something different in the not-too-distant future. But for the most part, I will let it rest for now.

5pm Friday

Last hour of our week of work together, Pat and I have had intensive and focused work time and we have both had some struggles and some successes! It had been a pleasure having her to work with this week alongside my students and me. The students have enjoyed watching Pat "morph" her work each day, rapidly making both radical and minor changes until the piece "worked." Here is the beginning and maybe the ending of one very large piece of Pat's.

Our show title "Across the Universe" started with a common interest in a cruciform format, but has grown into a greater concept of crosses -- cross section of materials, processes, ideas -- in addition to a way to structure a work or make a mark. Here are a couple of pieces that I worked on. I focused primarily on stitchery this week and brought two pieces close to conclusion.

We have had great critiques, lots of interest from students, faculty and administrators all week.

A VERY special thanks to Lisa Hammond for shooting some really beautiful pictures and getting us started with the blog. She is an artist of many talents.

A VERY special thanks to my husband for the great meals he cooked for us so that when we got home the food was warm and delicious and the wine was chilled.

And a VERY special thanks to Pat for agreeing to take the long drive up to SC, set up in an unfamiliar studio, serve as a role model for my students and work these long wonderful hours together. I can't wait to do it again.